{"title":"Archaeology","description":"\u003cp\u003eExplore our exclusive Archaeology collection featuring only original, authentic artifacts. Each item is a genuine piece of history—uncovered from ancient settlements, burial sites, or long-lost civilizations. From prehistoric tools and Roman-era relics to medieval objects, every piece has been professionally sourced and verified. Perfect for serious collectors, historians, and museums, these artifacts offer a direct connection to the lives, beliefs, and craftsmanship of the distant past. Own a true fragment of human history.\u003c\/p\u003e","products":[{"product_id":"viking-era-gold-filigree-cross-pendant","title":"Viking Era Gold Filigree Cross Pendant","description":"\u003cp\u003eFlared arms framed by two rows of granules, the surface decorated with fine granules forming triangles across the surface, fine double suspension loop. Exquisite.\u003c\/p\u003e\n\u003cp\u003eSize: 3.7 cm L (including loop) - 1 7\/16 inch\u003cbr\u003eMaterial: Gold, 8.7 grms\u003cbr\u003eCulture: Viking, c. 10th-11th Century A.D.\u003cbr\u003eCondition: Intact\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eProvenance: UK private collection, acquired prior to 2000.\u003cbr\u003eThe seller guarantees that this item has been legally acquired \u0026amp; will be legally exported, related\u003c\/p\u003e","brand":"ZipZappa","offers":[{"title":"Default Title","offer_id":55515835433338,"sku":"","price":1850.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0770\/8524\/5719\/files\/viking-era-gold-filigree-cross-pendant-7536504.jpg?v=1751898792"},{"product_id":"ancient-greek-ceramic-skyphos-4th-century-bc","title":"Ancient Greek Ceramic Skyphos. 4th century BC.","description":"\u003cp\u003eSkyphos.\u003c\/p\u003e\n\u003cp\u003e- Thermoluminescence Test -\u003c\/p\u003e\n\u003cp\u003eAncient Greek, Magna Graecia, Campania, 4th century BC.\u003c\/p\u003e\n\u003cp\u003eCeramic.\u003c\/p\u003e\n\u003cp\u003e15.5 cm height.\u003c\/p\u003e\n\u003cp\u003ePROVENANCE: Private collection, Switzerland. Acquired before the 1970's.\u003c\/p\u003e\n\u003cp\u003eCONDITION: Good condition.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eNotes:\u003c\/p\u003e\n\u003cp\u003e- The piece includes authenticity certificate.\u003c\/p\u003e","brand":"ZipZappa","offers":[{"title":"Default Title","offer_id":55515861123450,"sku":"","price":2610.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0770\/8524\/5719\/files\/ancient-greek-ceramic-skyphos-4th-century-bc-3099708.jpg?v=1751899195"},{"product_id":"indus-valley-terracotta-stunning-bird-bowl-73-mm","title":"Indus Valley Terracotta Stunning Bird Bowl - 73 mm","description":"\u003cp\u003eStunning Terracotta Nal culture - Indus Valley Vase 3000-2000 BC\u003cbr\u003eImages of birds around\u003cbr\u003eVery Rare Bowl\u003c\/p\u003e\n\u003cp\u003eWeight: 152.11 grams\u003cbr\u003eHigh: 73 mm\u003cbr\u003eWide: 72 mm\u003cbr\u003eMaterial: Terracotta\u003cbr\u003eOverpainted.\u003cbr\u003eSee images for your own impression and provenance.\u003cbr\u003eBetter in real than in image\u003cbr\u003eOwn private collection inherited from Grandfather, who built the collection in the 1960's \"\u003c\/p\u003e","brand":"ZipZappa","offers":[{"title":"Default Title","offer_id":55528891777402,"sku":"","price":230.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0770\/8524\/5719\/files\/indus-valley-terracotta-stunning-bird-bowl-73-mm-9808577.jpg?v=1751898753"},{"product_id":"ancient-roman-empire-lead-ancient-roman-lead-seal-of-emperor-titus-and-goddess-tyche","title":"Ancient Roman, Empire Lead Ancient Roman Lead Seal of Emperor Titus and Goddess Tyche","description":"\u003cp\u003eIn Roman ideology, Tyche represented the fate and fortune of cities and empires. Her image on an imperial seal conveyed a powerful message:\u003c\/p\u003e\n\u003cp\u003e“The destiny of the city is under divine guidance – aligned with the emperor’s will.”\u003c\/p\u003e","brand":"ZipZappa","offers":[{"title":"Default Title","offer_id":55529454633338,"sku":"","price":170.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0770\/8524\/5719\/files\/ancient-roman-empire-lead-ancient-roman-lead-seal-of-emperor-titus-and-goddess-tyche-4462277.jpg?v=1751899466"},{"product_id":"ancient-egyptian-core-glass-amphoriskos-5th-3rd-century-bc","title":"Ancient Egyptian - Core glass amphoriskos - 5th\/3rd century BC","description":"\u003cp\u003eRARE GLASS AMPHORISK MADE AT THE CORE\u003cbr\u003eEgypt Ptolemaic period, 5th\/3rd century BC\u003cbr\u003eHarden type amphora with dark blue background. Mouthpiece hemmed with yellow thread. Yellow thread applied in a spiral on the shoulder.\u003cbr\u003eThe middle part of the belly is decorated with turquoise, yellow and blue threads worked in a zigzag pattern. Below, circles of yellow thread.\u003cbr\u003eDark blue glass handles applied from shoulder to neck; dark blue glass button foot.\u003cbr\u003eDark blue opaque glass; yellow, blue and turquoise decoration.\u003cbr\u003eEastern Mediterranean, 6th-5th century BC\u003cbr\u003eHeight: 7.3 cm - diameter 4.4 cm - Excellent condition - restoration.\u003cbr\u003eA very rare piece!\u003c\/p\u003e\n\u003cp\u003eThis amphoriskos, or “miniature amphora,” is a bottle containing scented oils or perfume.\u003cbr\u003eThe custom of using delicately crafted glass vessels to hold valuables began in the Late Bronze Age in Western Asia and Egypt, and was revived in Mesopotamia in the Early Iron Age. Their small size and pleasantly rounded shape make these vessels comfortable to hold in the hand.\u003cbr\u003eThe shape also occurs in terracotta, and rarely in metal, but ultimately this shape copies that of the large transport amphorae of the 6th century BC, which were used for the distribution of wine and olive oil throughout the Mediterranean.\u003c\/p\u003e\n\u003cp\u003eThe core-forming technique in glassmaking involves forming a core of removable material – probably a mixture of clay, mud, sand and an organic binder – around a metal rod.\u003cbr\u003eThe core is then covered with molten glass, either by dipping or by sliding a glass wire over the core as it rotates.\u003cbr\u003eThe vessel is heated and repeatedly marbled, or rolled, on a flat stone slab. The decoration in the form of glass threads is then dragged and pressed onto the surface, usually after being combed or dragged with a pin or metal hook in a zigzag, feather, or other pattern.\u003cbr\u003eThe metal rod is then removed and the container is annealed. Once the core is scraped, the rim, handles and base knobs are applied after additional reheating.\u003c\/p\u003e\n\u003cp\u003eOrigin: Germany, M.R.S. gallery.\u003cbr\u003ePreviously: Germany, former private collection Otto Schäfer, Schweinfurt\u003c\/p\u003e","brand":"ZipZappa","offers":[{"title":"Default Title","offer_id":55565749092730,"sku":"","price":2390.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0770\/8524\/5719\/files\/ancient-egyptian-core-glass-amphoriskos-5th3rd-century-bc-7725051.jpg?v=1751899823"},{"product_id":"ancient-egyptian-wooden-sarcophagus-mask-inlaid-eyes-and-original-pigments-late-period-664-332-bc","title":"Ancient Egyptian - Wooden sarcophagus mask - inlaid eyes and original pigments - late period - 664\/332 BC","description":"\u003cp\u003eSarcophagus mask in stuccoed and painted wood.\u003cbr\u003eAncient Egypt, Late Period, 26th \/ 31st Dynasty, 664\/332 BC\u003cbr\u003eLarge coffin mask in finely carved wood. It is made of cedar and covered with gesso painted in red and black pigment.\u003cbr\u003eThis red-colored mask features the likeness of an Egyptian dignitary.\u003cbr\u003eThe oval-shaped face with idealized features is characterized by large almond-shaped eyes embedded with bronze and stone, a long slender nose sculpted in relief in a triangular shape and refined at the nasal bridge, and a mouth with pursed lips.\u003cbr\u003eThe lower forehead is topped with a black headdress.\u003cbr\u003eThe facial expression shows extreme serenity.\u003cbr\u003eThese wooden masks were attached with dowels to the deceased's coffin. Traces of fixing dowels on the back of the structure.\u003cbr\u003eExamined by Simone Musso, consulting curator for Egyptian antiquities at the Stibbert Museum, Florence, Italy, member of the Nuri archaeological expedition.\u003cbr\u003eDimensions: height 23.2 cm - width 19.2 cm - thickness 9.4 cm\u003cbr\u003eVery good state of preservation, original pigments and inlays.\u003c\/p\u003e\n\u003cp\u003eProvenance: United Kingdom, A.P.L. gallery.\u003cbr\u003ePreviously: Property of a London gallery acquired on the American art market before 2000.\u003c\/p\u003e","brand":"ZipZappa","offers":[{"title":"Default Title","offer_id":55565771538810,"sku":"","price":4260.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0770\/8524\/5719\/files\/ancient-egyptian-wooden-sarcophagus-mask-inlaid-eyes-and-original-pigments-late-period-664332-bc-8517075.jpg?v=1751902793"},{"product_id":"gundula-schulze-eldowy-1954-tuthmosis-iv-kairo","title":"Gundula Schulze Eldowy (1954) - Tuthmosis IV., Kairo","description":"\u003cp\u003eGundula Schulze Eldowy (1954), Tuthmosis IV., Cairo, 1995.\u003c\/p\u003e\n\u003cp\u003eC-Print, sheet size 91.7 x 62.4 cm.\u003c\/p\u003e\n\u003cp\u003eThe photo is sold without a frame.\u003c\/p\u003e\n\u003cp\u003eProvenance: Acquired from the photographer's studio; private collection, Berlin.\u003c\/p\u003e\n\u003cp\u003eCondition: Good condition. Minimal creases on the outer edge of the page.\u003c\/p\u003e\n\u003cp\u003eLiterature: Gundula Schulze El Dowy, Autumn Bells; Edition Stemmle, Zurich, New York, 1996, p.\u003cbr\u003e17.\u003c\/p\u003e\n\u003cp\u003eGundula Schulze Eldowy is an internationally recognized German photographer whose work has\u003cbr\u003echaracterized the photographic documentation of East Germany with compelling authenticity.\u003cbr\u003eShe studied photography at the Academy of Visual Arts in Leipzig (1979-1984) and had already\u003cbr\u003egained fame in the 1980s through her socially critical, often taboo-breaking series.\u003c\/p\u003e\n\u003cp\u003eWith series such as \"Berlin in a Dog Night,\" \"Street Scene,\" \"Work,\" and \"Nude Portraits,\" she\u003cbr\u003ecreated visual chronicles of East German everyday life-raw, poetic, and uncompromisingly\u003cbr\u003eauthentic. Her works are considered today as photographic testimonies of exceptional\u003cbr\u003edocumentary value.\u003cbr\u003eA turning point in her career was the encounter with the legendary photographer Robert Frank,\u003cbr\u003ewho invited her to New York in 1985. She lived and worked there from 1990 to 1993 and\u003cbr\u003eparticipated among others in the exhibition \"Photography 8\" at the MoMA New York.\u003c\/p\u003e\n\u003cp\u003eSince then, Schulze Eldowy has expanded her artistic spectrum to include color photography,\u003cbr\u003efilm, and sound installations. Her works have taken her around the world - including Japan,\u003cbr\u003eEgypt, Peru, and Bolivia - and increasingly reflect spiritual and transcultural themes.\u003cbr\u003eIn 2023, she dedicated a comprehensive retrospective (\u003cbr\u003eHer works are part of renowned collections such as the MoMA in New York, LACMA in Los\u003cbr\u003eAngeles, the Museum Folkwang, and the Berlinische Galerie. In 1996, she received the\u003cbr\u003eprestigious Higashikawa Award in Japan.\u003c\/p\u003e\n\u003cp\u003eSchulze Eldowy is a member of the Berlin Academy of Arts as well as the Saxon Academy of\u003cbr\u003eArts. Her work combines political testimony with artistic depth - she is considered one of\u003cbr\u003eGermany's most important photographic voices.\u003c\/p\u003e","brand":"ZipZappa","offers":[{"title":"Default Title","offer_id":55565980762490,"sku":"","price":1530.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0770\/8524\/5719\/files\/gundula-schulze-eldowy-1954-tuthmosis-iv-kairo-8430069.jpg?v=1751898989"},{"product_id":"ancient-egyptian-steatite-figure-of-the-son-of-horus-imsety","title":"Ancient Egyptian Steatite Figure of the Son of Horus Imsety","description":"\u003cp\u003eVery finely carved of green steatite, excellent details, depicting one of the four sons of Horus: the human headed Imsety. Flat back and two holes for attachment. Exquisite.\u003c\/p\u003e\n\u003cp\u003eSize: 6.1 cm L - 2 3\/8 inches\u003cbr\u003eMaterial: Green steatite\u003cbr\u003eCulture: Egypt, c. 600 B.C.\u003cbr\u003eCondition: Intact\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eProvenance: British private collection, Mr. H. Tavid, acquired prior to 2002.\u003c\/p\u003e","brand":"ZipZappa","offers":[{"title":"Default Title","offer_id":55592513372538,"sku":null,"price":600.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0770\/8524\/5719\/files\/ancient-egyptian-steatite-figure-of-the-son-of-horus-imsety-2436186.jpg?v=1751900873"},{"product_id":"ancient-egyptian-big-shabti-late-period-664-332-bc","title":"Ancient Egyptian Big Shabti. Late Period, 664 - 332 BC","description":"\u003cp\u003eUshabti\u003c\/p\u003e\n\u003cp\u003eAncient Egypt, Late Period, 664 - 332 BC\u003c\/p\u003e\n\u003cp\u003eMATERIAL: Faience\u003c\/p\u003e\n\u003cp\u003eSIZE: Height 20,6 cm with stand, 18,6 cm without stand.\u003c\/p\u003e\n\u003cp\u003eProvenance: Ex. old private collection, France, 1980.\u003c\/p\u003e\n\u003cp\u003eCONDITION: Good, see photos, broken line rejoined on the ankles.\u003c\/p\u003e\n\u003cp\u003eThe faience shabti has and fine modelled details of the face, the plaited beard, striated tripartite wig, hands and hoes. The figure has a pedestal and a back pillar.\u003c\/p\u003e\n\u003cp\u003eThe Egyptian Afterlife was understood as a mirror of the real world, where both good and evil had their place. Those who were unfair or evil were punished for eternity, while the just enjoyed a comfortable existence travelling with the solar god. Even then, the deceased who were so blessed were still obliged to fulfil human responsibilities and needs, in the same way they had to in life. Their need to have food and drink in the Afterlife was a constant worry for them. If they were obliged to work in the Fields of Aaru, in the Realm of the Dead, and as members of a society which was a hierarchy governed by the gods, everyone – men and women, lords and servants, kings and queens – had to be willing to cultivate, sow and harvest the crops.\u003c\/p\u003e\n\u003cp\u003eIn the world of the living these basic tasks of production were carried out by the lower classes in society. To avoid this fate, Egyptians looked for a magic solution: they created one or more figures of themselves to be able to hand over to the emissaries of the reigning god, Osiris, when these called on the deceased to fulfil his obligations. These statuettes, placed amongst the grave goods in the tomb, were images which represented both the master and the servant.\u003c\/p\u003e\n\u003cp\u003eThey are known by the name of ushabtis, the term coming from sabty or shabty, derived from Sawab, the meaning of which corresponds to the Greek word “persea”, a sacred tree from whose wood the ancient Egyptians began to produce these funerary effigies. It was towards the Third Intermediate Period, in Dynasty XXI, around 1080 BC when they began to use the term wsbty, that is, “ushebty”. From then on the name “ushabti” derived from the verb wsb meaning “to answer” was used to name “he who answers”.\u003c\/p\u003e\n\u003cp\u003eThe use of ushabtis was incorporated into the burials in Ancient Egypt from the First Intermediate Period on. Their use grew during the Middle Kingdom, the time when the Egyptians began to write a spell in the Coffin Texts, number 472, so that the ushabtis would answer to the call: “The justified N. says ‘Oh ushabti, allotted to N, if N is summoned to do any work, or if a disagreeable task was asked of N as for any man for his duty, you are to say ‘I am here’. If N is called to watch over those who work there, ploughing the new fields to break the earth, or to ferry sand in a boat from east to west, you will say ‘I am here’. The justified N.”\u003c\/p\u003e\n\u003cp\u003eThis spell or utterance went on to be inscribed on ushabtis, and so in most cases, it appears there engraved. From the New Kingdom on, a great number of innovations were introduced. Examples with texts started to proliferate. Some of these were somewhat longer texts from Chapter VI in the Book of the Dead. Even so, in many cases the text simply indicates the name of the deceased, or a basic utterance, with the name of a family member or the posts that he held.\u003c\/p\u003e\n\u003cp\u003eUshabtis at first were made above all from wax, later from wood, and then towards the end of the Middle Kingdom they appeared in stone. From the New Kingdom on, the material par excellence was faience. We know they were produced in multiples thanks to moulds which have been preserved, and where in some cases, the engraved texts were unfinished, as the name of the owner was missing. The most popular form was that of the mummy until the introduction, towards the end of Dynasty XVIII, of figures decorated with everyday clothing. Many carried implements to work in the fields, such as a basket, a hoe or a pick, as a reference to the task to be carried out which was awaiting them in the Afterlife, as the symbolic representation of their master. The iconography, texts, materials, colours and their placing in the tomb could suggest other symbolic meanings.\u003c\/p\u003e\n\u003cp\u003eSometimes they were placed in wooden boxes, which could be either simple ones or with sophisticated decoration. In the New Kingdom they came to be placed in miniature sarcophagi.\u003c\/p\u003e\n\u003cp\u003eWhile at first they were considered to be replicas of the deceased, in the New Kingdom and later, the ushabtis came to be seen as servants or a manner of slave, and for this reason they were produced en masse. There were both women and men, including specialists in different activities. Sometimes they were under the supervision of overseers, and these were distinguished by the use of a kilt. This is the case for the pharaoh Tutankhamun: he had three hundred and sixty five ushabtis at his command, one for each day of the year; thirty six overseers, one for each team of ten workers; and twelve master overseers, one for each month of the year. This came to a total of four hundred and thirteen servants in the Otherworld. The fear of having to carry out these tasks demanded of the dead by Osiris meant that in some burials there were even ushabtis who were there to act as substitutes or stand-ins, if necessary, for the main ones.\u003c\/p\u003e\n\u003cp\u003eIt is logical to think that no pharaoh would have wanted to carry out this type of task personally, and so at the necessary moment the utterance written on the body of the ushabti was read out so that this object acquired life to answer to the call, substituting for the pharaoh in the work.\u003c\/p\u003e","brand":"ZipZappa","offers":[{"title":"Default Title","offer_id":55607602446714,"sku":null,"price":2390.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0770\/8524\/5719\/files\/ancient-egyptian-big-shabti-late-period-664-332-bc-7178319.jpg?v=1751898558"},{"product_id":"ancient-egyptian-faience-asian-head-ptolemaic-period-c-323-30-bc","title":"Ancient Egyptian Faience Asian Head. Ptolemaic Period, c. 323 - 30 BC.","description":"\u003cp\u003eAsian Head.\u003c\/p\u003e\n\u003cp\u003eAncient Egypt, Ptolemaic Period, c. 323 - 30 BC.\u003c\/p\u003e\n\u003cp\u003eFaience.\u003c\/p\u003e\n\u003cp\u003e4.5 cm height.\u003c\/p\u003e\n\u003cp\u003eCondition: Good condition.\u003c\/p\u003e\n\u003cp\u003eProvenance: Private collection Donald Wonder (1938 - 2023), California, United States of America.\u003c\/p\u003e\n\u003cp\u003eAcquired at various auction houses and gallery owners between 1973 - 1998 between:\u003c\/p\u003e\n\u003cp\u003e- George M. Juergens (1897 - 1986), New York, February 20, 1973.\u003cbr\u003e- John Ristow Curiosities, California, June 4, 1995.\u003cbr\u003e- Howard Nowes, New York, January 17, 1998.\u003cbr\u003e\u003c\/p\u003e","brand":"ZipZappa","offers":[{"title":"Default Title","offer_id":55607615586682,"sku":null,"price":1860.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0770\/8524\/5719\/files\/ancient-egyptian-faience-asian-head-ptolemaic-period-c-323-30-bc-6142428.jpg?v=1751898557"},{"product_id":"ancient-egyptian-bronze-gold-harpocrates-god","title":"Ancient Egyptian Bronze, Gold Harpocrates God","description":"\u003cp\u003eGod Harpocrates \/ Harpokrates \/ Horus child\u003c\/p\u003e\n\u003cp\u003e- very fine - gold inlays -\u003c\/p\u003e\n\u003cp\u003eAncient Egypt, Late Period, 664 - 332 BC\u003c\/p\u003e\n\u003cp\u003eSolid Bronze with eyebrows with gold inlays\u003c\/p\u003e\n\u003cp\u003e12,5 cm height, 13 cm height with stand.\u003c\/p\u003e\n\u003cp\u003ePROVENANCE:\u003cbr\u003e- Private collection, Mr. I, France, before 1980.\u003c\/p\u003e\n\u003cp\u003eCONDITION: Good condition, see photos.\u003c\/p\u003e","brand":"ZipZappa","offers":[{"title":"Default Title","offer_id":55896971805050,"sku":null,"price":2690.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0770\/8524\/5719\/files\/AncientEgyptianBronze_GoldHarpocratesGod.jpg?v=1757755781"},{"product_id":"ancient-egypt-late-period-faience-ushabti-of-tious-son-of-tay-te-der-ek","title":"Ancient Egypt, Late Period Faience Ushabti of Tious, son of Tay-te-der-ek","description":"\u003cp\u003eAncient Egypt, faience Ushabti of Tious, son of Tay-te-der-ek.\u003cbr\u003e27th-30th Dynasty, 525-341 BC\u003c\/p\u003e\n\u003cp\u003eOn the body there are nine horizontal hieroglyphic writing registers, which are given to a dorsal column with no inscription.\u003cbr\u003eTranslation of the text: ‘May the Osiris of Tius be enlightened, justified. Born of Tayderek, justified. He says: Oh! these ushebtis. If I am required. The Osiris of Tius, to do all the works to be done in the Hereafter, Here am I! Thou shalt say, to pull down the obstacles, to cultivate the fields, to irrigate the riparian lands, and to transport the sand from west to east and vice versa. here am I! you shall say.”\u003c\/p\u003e\n\u003cp\u003eHeight ushabti: ± 13,5 cm\u003cbr\u003eHeight including base: ± 15 cm\u003c\/p\u003e\n\u003cp\u003eCondition: good solid condition, brown toning with areas of turquoise glazing. Incomplete, part of the base is missing. The ushabti will be delivered with the display stand as shown on the pictures.\u003c\/p\u003e\n\u003cp\u003eCertificate of Authenticity: available upon request (pdf-format).\u003c\/p\u003e","brand":"ZipZappa","offers":[{"title":"Default Title","offer_id":56110857060730,"sku":null,"price":3900.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0770\/8524\/5719\/files\/AncientEgypt_LatePeriodFaienceUshabtiofTious_sonofTay-te-der-ek.jpg?v=1761991608"},{"product_id":"indus-valley-civilisation-a-good-large-painted-terracotta-vessel","title":"INDUS VALLEY CIVILISATION - A GOOD LARGE PAINTED TERRACOTTA VESSEL","description":"\u003cp\u003eThis lot comes from the private collection of Mr. J. Bahamonde who over a period of 20 years acquired his collection from various prestigious dealers and has now decided to downsize his beloved collection. His degree in ancient Near East and Roman Britain archaeology from Manchester University, one of the best in the U.K. and passion for ancient history is reflected in this beautiful artefact.\u003c\/p\u003e\n\u003cp\u003eTypically adorned along the centre, shoulder and neck with dynamic motifs in black on red slip, this vessel captivates with its rhythmic design and harmonious balance. The paired lug handles accentuate its sculptural form, creating a vivid interplay of colour, movement, and symmetry characteristic of ancient ceramic artistry of the Indus Valley civilisation.\u003c\/p\u003e\n\u003cp\u003eHeight: 24.5 cm\u003c\/p\u003e\n\u003cp\u003eCondition: Very good considering ancient age, as expected some wear and patina. NO repairs.\u003c\/p\u003e","brand":"ZipZappa","offers":[{"title":"Default Title","offer_id":56110867382650,"sku":null,"price":1000.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0770\/8524\/5719\/files\/INDUSVALLEYCIVILISATION-AGOODLARGEPAINTEDTERRACOTTAVESSEL.jpg?v=1761991920"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0770\/8524\/5719\/collections\/archaeology-2711839.png?v=1751898525","url":"https:\/\/www.zipzappa.com\/ja\/collections\/archaeology.oembed","provider":"ZipZappa","version":"1.0","type":"link"}